Introduction

Paris, 1919.

The world's leaders have gathered to rebuild from the ashes of the Great War. But for one woman, the City of Light harbors dark secrets and dangerous liaisons, for which many could pay dearly.

Brought to the peace conference by her father, a German diplomat, Margot Rosenthal initially resents being trapped in the congested French capital, where she is still looked upon as the enemy. But as she contemplates returning to Berlin and a life with Stefan, the wounded fiancé she hardly knows anymore, she decides that being in Paris is not so bad after all.

Bored and torn between duty and the desire to be free, Margot strikes up unlikely alliances: with Krysia, an accomplished musician with radical acquaintances and a secret to protect; and with Georg, the handsome, damaged naval officer who gives Margot a job—and also a reason to question everything she thought she knew about where her true loyalties should lie.

Against the backdrop of one of the most significant events of the century, a delicate web of lies obscures the line between the casualties of war and of the heart, making trust a luxury that no one can afford.

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Excerpt

I cycle through the Jardin des Tuileries, navigating carefully around the slippery spots on the damp gravel path. The December air is crisp with the promise of snow and the bare branches of the chestnut trees bow over me like a procession of sabers. I pedal faster past the park benches, savoring the wind against my face and opening my mouth to gulp the air. A startled squirrel darts behind the base of a marble statute. My hair loosens, a sail billowing behind me, pushing me farther and faster, and for a moment it is almost possible to forget that I am in Paris.

The decision to come had not been mine. "I've been asked to go to the peace conference," Papa informed me unexpectedly less than a month ago. He had previously professed no interest in taking part in "the dog and pony show at Versailles," and had harrumphed frequently as he read the details of the preparations in the Times. "Uncle Walter thinks?" he added, as he so often did. I did not need to listen to the rest. My mother's older brother, an industrialist who had taken over the electronics firm their father founded, could not attend the peace conference himself after contributing so much to the war machine. He considered it important, though, to somehow have a voice at the table, a presence before the Germans were formally summoned. So he had secured an invitation for Papa, an academic who had spent the war visiting at Oxford, to advise the conference. It was important to be there before Wilson's ship arrived, Papa explained. We packed up our leased town house hurriedly and boarded a ferry at Dover.

Papa had not been happy to come, either, I reflect, as I reach the end of the park and slow. The street is choked thick with motorcars and lorries and autobuses, and a few terrified horses trying to pull carriages amid the traffic. He had pulled forlornly on his beard as we boarded the train in Calais, bound for Paris. It was not just his reluctance to be torn from his studies at the university, immersed in the research and teaching he loved so, and thrust into the glaring spotlight of the world's political stage. We are the defeated, a vanquished people, and in the French capital we loved before the war, we are now regarded as the enemy. In England, it had been bad enough. Though Papa's academic status prevented him from being interned like so many German men, we were outsiders, eyed suspiciously at the university. I could not wear the war ribbon as the smug British girls did when their fiances were off fighting, because mine was for the wrong side. But outside of our immediate Oxford circle it had been relatively easy to fade into the crowd with my accentless English. Here, people know who we are, or will, once the conference formally begins. The recriminations will surely be everywhere.

My skirts swish airily as I climb from the bike, thankfully free of the crinolines that used to make riding so cumbersome. The buildings on the rue Cambon sparkle, their shrapnel-pocked facades washed fresh by the snow. I stare up at the endless apartments, stacked on top of one another, marveling at the closeness of it all, unrivaled by the most crowded quarters in London. How do they live in such spaces? Sometimes I feel as though I am suffocating just looking at them. Growing up in Berlin, I'm no stranger to cities. But everything here is exponentially bigger—the wide, traffic-clogged boulevards, square after square grander than the next. The pavement is packed, too, with lines of would-be customers beneath the low striped awning of the cheese shop, and outside the chocolatier where the sign says a limited quantity will be available at three o'clock. A warm, delicious aroma portends the sweets' arrival.

A moment later, I turn onto a side street and pull the bike up against the wall, which is covered in faded posters exhorting passersby to buy war bonds. A bell tinkles as I enter the tiny bookshop. "Bonjour." The owner, Monsieur Batteau, accustomed to my frequent visits, nods but does not look up from the till.

I squeeze down one of the narrow aisles and scan the packed shelves hungrily. When we first arrived in Paris weeks earlier, it was books that I missed the most: the dusty stacks of the college library at Magdalen, the bounty of the stalls at the Portobello Road market. Then one day I happened upon this shop. Books had become a luxury few Parisians could afford during the war and there were horrible stories of people burning them for kindling, or using their pages for toilet paper. But some had instead brought them to places like this, selling them for a few francs in order to buy bread. The result is a shop bursting at the seams with books, piled haphazardly in floor-to-ceiling stacks ready to topple over at any moment. I run my hand over a dry, cracked binding with affection. The titles are odd—old storybooks mix with volumes about politics and poetry in a half-dozen languages and an abundance of war novels, for which it seems no one has the stomach anymore.

I hold up a volume of Goethe. It has to be at least a hundred years old, but other than its yellowed pages it is in good condition, its spine still largely intact. Before the war, it would have been worth money. Here, it sits discarded and unrecognized, a gem among the rubble.

"Pardon," Monsieur Batteau says a short while later, "but if you'd like to buy anything?" I glance up from the travelogue of Africa I'd been browsing. I've been in the shop scarcely thirty minutes and the light outside has not yet begun to fade. "I'm closing early today, on account of the parade."

"Of course." How could I have forgotten? President Wilson arrives today. I stand and pass Monsieur Batteau a few coins, then tuck the Goethe tome and the book on botany I'd selected into my satchel. Outside the street is transformed—the queues have dissipated, replaced with soldiers and men in tall hats and women with parasols, all moving in a singular direction. Leaving the bike, I allow myself to be carried by the stream as it feeds into the rue de Rivoli. The wide boulevard, now closed to motorcars, is filled with pedestrians.

The movement of the crowd stops abruptly. A moment later we surge forward again, reaching the massive octagon of the Place de la Concorde, the mottled gray buildings stately and resplendent in the late-afternoon sun. The storied square where Marie Antoinette and Louis XVI were executed is an endless mass of bodies, punctuated by the captured German cannons brought here after the armistice. The statues in the corners, each symbolizing a French town, have been covered in laurels.

The crowd pushes in behind me, onlookers from every side street attempting to pack the already choked space. I am surrounded by a sea of tall men, the damp wool from their coats pressing against my face, making it impossible to breathe. Close spaces have never suited me. Trying not to panic, I squeeze through to one of the cannons. I hitch my skirt and climb onto the wheel, the steel icy against my legs through my stockings. "Pardon," I say to the startled young man already on top of the gun.

There are flags everywhere, I can see from my new vantage point, banners unfurled from the balconies of the columned Hotel de Crillon, American flags in the hands of the children. "Wilson the Just!" placards declare. A lane has been formed through the square, roped off with great swaths of sky-blue cloth to keep the crowd back. Airplanes, lower and louder than I've ever heard, roar overhead.

A few feet to the right of the cannon, a woman in a blue cape catches my eye. Nearly forty by the looks of her, she stands still in the feverish crowd. She is tall, her posture perfectly erect, with chestnut-brown hair piled upon her head. She is somehow familiar, though from where I cannot say. Abruptly, she turns and begins walking, swimming against the tide, slipping away from the gathering. Who would leave before Wilson's arrival? Surely there is nowhere else to be in the city now. I wonder fleetingly if she is ill, but her movements are calm and fluid as she disappears into the crowd.

The din grows to a roar. I turn my attention back to the square as a row of mounted soldiers canters into view, wearing the bright helmets of the Garde Republicaine. The horses raise their heads high, snorting great clouds of frost from their flared nostrils. The crowd pushes in, twisting the once-straight lane into a serpentine. I shudder as unseen guns erupt jarringly in the distance. Surely that is not a sound any of us needs to hear anymore.

Behind the horses, a procession of open carriages appears. The first bears a man in a long coat and top hat with a woman beside him. Though it is too far away for me to see, I can tell by the whoops that he is President Wilson. As the carriage draws closer and stops in front of the hotel, I recognize Wilson from the photos. He waves to the crowd as he climbs down. But his bespectacled face is solemn, as if seeing for the first time the hopes of so many that hang on his promises.

A minute later Wilson disappears into the hotel. The show quickly over, the onlookers begin to ebb, bleeding down the dozen or so arteries that lead from the square. I glimpse the woman in the blue cape, several yards away now, still fighting her way through the crowd. Impulsively, I hop down from the cannon, catching the hem of my skirt as I do. I free the material, then push toward her, weaving through narrow gaps, heedless now of the closeness as I follow the flash of blue like a beacon.

As I reach the street, I spy the woman fifty or so meters ahead, turning into the park where I'd been cycling an hour earlier. There is nothing unusual about that. But one would not have left Wilson's arrival for a stroll and her gait is purposeful, suggesting an errand more interesting than just fresh air. I push forward, following her into the park. A moment later, she turns off the main path into a smaller garden where I've not been before.

I pause. A gate, tall and tarnished, marks the entrance, elaborate lions carved into either side standing sentry. Ahead, the path is obscured by winter brush. Turn back, a voice seems to say. But the woman in blue has disappeared at a turn in the bend and I cannot resist following her.

I step through the gate and into the garden. A few meters farther, the path ends at a small, frozen pond, dividing to follow its banks on either side. I scan the deserted park benches, but do not see the woman. From beyond the bend comes the sound of laughter. I follow the path as it curves around the pond and it opens to reveal a wide expanse of frozen water, nestled in a cove of trees. A group of well-dressed young women in their late teens, perhaps a year or two younger than me, skate on the ice, chatting in loud, carefree voices.

Across the pond, something stirs against one of the trees. The woman in blue. Will she join the skaters? Maybe two decades older, she appears an odd fit, but the conference has brought together all sorts of unusual people, blurring the conventions and distinctions that might have separated them back home. The woman hangs in the shadows, like the witch out of a fairy tale, watching the skaters raptly. Her gaze is protective and observant, a scientist studying a subject about which she really cares.

The skaters start for the bank and the woman in blue steps back, disappearing. I consider following her farther, but the sun has dropped low behind the trees, the early winter afternoon fading.

Twenty minutes later, having retrieved my bike, I reach the hotel. Papa chose our lodgings at the tiny Hotel Relais Saint-Honore carefully. Just across the river from the foreign ministry, it keeps him close to the conference proceedings while still maintaining a bit of privacy. The lobby, with its cluster of red velvet chairs in the corner, feels more like a parlor.

"Mademoiselle," the desk clerk calls as I cross the lobby. I turn back reluctantly. He holds out a letter toward me, between his thumb and forefinger, as though the German postmark might somehow be infected. I reach for it, my stomach sinking as I eye the wobbly script.

I start for the elevator once more. As the doors open, I am confronted unexpectedly by Papa and two men with swarthy complexions and dark mustaches. "And if you look at the prewar boundaries?" Papa, speaking in French, stops mid-sentence as he sees me. "Hello, darling. Gentlemen, may I present my daughter? Margot, these are Signore DiVincenzo and Ricci of the Italian delegation."

"A pleasure," I say. They nod and stare at me strangely. It is my dress, soiled and torn at the hem from where I caught it on the cannon, as well as my disheveled hair. I may quite possibly smell, too, from my vigorous bike ride through the park.

But Papa does not seem to notice, just smiles a warm mix of affection and pride. "I'll be up in a moment, my dear." It is not just that he is an absentminded academic—Papa has always accepted me wholly as I am, with all of my rough spots and imperfections. He is not bothered by my unkempt appearance, any more than I mind his predisposition to forgetting about meals or the days of the week. view abbreviated excerpt only...

Discussion Questions

1. As the story opened, Margot appeared to be an inde¬pendent and confident young woman. How do you think her character changed throughout the story, and what caused those changes? What do you feel was her greatest strength and weakness?
2. How do you think the loss of her mother affected Mar¬got? How did this change throughout the book, par¬ticularly when she learned the truth?
3. Georg and Margot developed feelings for one another after mere days. What did you see in their time to¬gether that attracted them so powerfully? Do you be¬lieve it is possible to fall in love so quickly and for such a relationship to last?
4. How was it possible for Margot to keep secrets from those she professed to love most? How did it affect her relationships with her father, with Georg? Do you think that Margot’s choices were justified by her intentions?
5. Margot and Krysia became such close friends despite significant differences in age and circumstances. What do you think it was that drew them together, and what did each of them provide for the other? Have you ever found yourself in such a close but unlikely friendship?

6. Margot was a very young woman dealing with situa¬tions that most of us today would find completely over¬ whelming at age twenty. What do you think it was that Margot really wanted out of life?
7. What did you think about Margot’s relationship with Stefan? Could you sympathize with her, being torn by an old promise to a man she didn’t know anymore and her love for a man that offered her a promising future? What would you have done in her shoes?
8. Margot experienced anti-German sentiment from those around her who saw her as the enemy. Do you think this was a fair judgment, given the political climate of the time? Do you think this type of mentality still ex¬ists today?
9. The post-WWI era is less familiar to some readers than WWII and other historical time periods. What did you like about a novel set during this time? Did you identify with any symbolic items, people or places throughout the book? What did they represent to you?
10. Do you agree that Margot’s relationship with her fa¬ther improved over the course of the novel? How so, or how not?
11. What do you think happens six months after the end of the book? Six years?
12. The Ambassador’s Daughter is the prequel to two of Pam Jenoff’s other novels, The Kommandant’s Girl and The Diplomat’s Wife. If you have read those, how did you feel this book compared? Did knowing what happens twenty years down the line color your reading of this book?

Weblinks

»	Pam Jenoff's web site
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